Dante took
me on a date
after
getting to know me well
and I found
myself before a gate
that would
take me straight to hell.
I managed
to say, “Dante
why did you
bring me here?
Tell me,
without delay!”
I stopped,
frozen by fear.
(I’m not
going in there! No way!)
With a
thick accent, he
started
with a smile,
“Don’t you
like to see
the
difference in style?”
While
scratching my head,
I thought
what he could mean,
then stared
way up ahead
and hoped
we weren’t seen.
“I’m not
following you,
and I
really hate that smell.
Tell me and
tell me true—
why bring
me to hell?”
“You had a
date with John Keats
that left
you always trying
to
understand the sonnet beats;
then you
tried Lord Byron—”
“What are
you implying?!”
“Then you
found Ignoracium,
which
prompted your sister to say,
‘The Divine
Comedy is awesome!’
so you
started after me that day.
“I just
thought you’d like to see
my mind,
the fabrics fine and well.
These
gates, they’re a part of me—
welcome, my
dear, to hell.
“Come,
Holly, let’s disappear
to a place
I’ve taken many others.
Away, away
from Shakespeare
and all of
his idyllic lovers.”
I shrugged
and managed, “Okay.”
The gates
creaked open slowly
and,
shuddering, I followed Dante,
wondering
if hell knew about WD-40.
I'm very proud of your cutesy way of describing things here...Lewis Carroll would be proud too. You could write a comedy so divine that Dante would want you for his bride...and would be scared to sleep at night. You were probably Bates in another life...but it's always good to be able to write. We writers can live a life and make a world that would put another in jail or in a nut house. Very well written, little sis. It's poetry like this that make me happy to be a spectator instead of a writer...and I don't mind being so bland when I read your little journeys :)
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